Will's blog

June 28, 2010

Name tag racks for churches and clubs

The church I worship in has for two years tried to find off-the-shelf free-standing racks to hold member’s name badges – but to no avail.

So I stepped up and designed and built a free-standing carousel that hold 300 name tags. With wheels it can be placed in the middle of the foyer so many people can access their tags at the same time without “bunching up”. The six-sided rack rotates for easily locating any name.

This has proven to be such a good looking and functional tag holder that I am now manufacturing them and offering them for sale to churches, clubs, and any other organizations that use and re-use pre-printed name tags. Check them out at www.wolcraft.com.

Will Limkemann

Adjustable and solid wood music stands

Filed under: Uncategorized — Tags: — Will @ 3:57 pm

Musicians, why use the boring black music stands when you can be enjoying the beauty and warmth of wood – with the same adjustability of the black ones?

Wolcraft is now producing wood music stands that are extremely sturdy and use the same adjusting mechanism as do the Manhasset metal stands. I think you’ll like these stands.

Check them out at www.wolcraft.com.

Will Limkemann

June 7, 2010

American Guild of Organists Convention

It’s less than a month away as I write the post, and we are excited about exhibiting Ektralamp lighting products at the AGO (American Guild of Organists) national convention in July. We will be showing our overhead organ lights, piano lights, and music stand lights. In fact, there will be a drawing for one of the Ektralamp music stand lights valued at $159. If you’re an organist who will be attending the convention, look us up in booth 309.

Will Limkemann

www.ektralamp.com

February 5, 2010

Lighting artwork

Filed under: Uncategorized — Will @ 1:49 pm

What are the first impressions of visitors entering your place of business or home? Artwork is often the crucial and memorable element that completes a well defined and designed space. Your artwork speaks volumes about your values and interests. Artwork reflects your image, promotes a stimulating work environment, and enhances a comfortable living space.

After spending time, and often a lot of money, for the right pieces of art, the works must be carefully placed or hung to best be seen and to complement the spaces they occupy. What is often overlooked is proper and effective lighting of the art. Imagine the difference in impact between an unlighted painting at the end of a hallway and the same painting artfully illuminated. In the first case, the painting will often fade into the background. A well lighted painting will become a focal point.

A picture can be illuminated either from a ceiling-mounted spotlight focused on the work, or from a tubular lamp mounted above it. A spotlight mounted at the right angle can provide excellent illuminating, but may have the drawback of attracting attention to itself as an element of the ceiling.

When considering a tubular light mounted above a painting, many of us think of the 8″ wide incandescent lights that have been prevalent for this type of lighting. These lights have been very warm in color, produce a fair amount of heat, and tend to illuminate just a small center area of a picture. Until recently, the only real alternative has been fluorescent lighting which, due to its color and potential flicker, has not really been an option.

Recent developments in LED lighting technology provide pleasing lighting colors in various widths of lighting strips, and allow the illumination to be focused on the artwork with minimal “spillage” onto the surrounding area. LEDs have the further benefit of producing virtually no heat, which can be destructive to artwork.

When choosing appropriate lighting for your paintings, here are some things to consider:

1. How much heat and infra-red radiation does a light source provide. In this case less is better.

2. Does the light source produce ultra-violet radiation which can be detrimental to artwork? Does the fixture provide ultra-violet filtering to eliminate the ultra-violet light?

3. What color is the light? The color should bring out the colors and mood of the piece being lighted. A painting with oranges and reds will be complemented by a warm-colored light. Conversely, a predominantly blue painting will look best with a cooler light.

4. Will the light provide even illumination over the width and height of a picture?

Our new Ektralamp art LED-based lamps produce virtually no heat, are available with ultra-violet filters, are inconspicuous, can produce a variety of light colors, are available in a variety of widths, and mount above the picture. Check them out.

Will Limkemann

December 24, 2009

Ektralamp picture lights

Filed under: Uncategorized — Tags: , , , — Will @ 3:27 pm

Our line of lamps is expanding. We have just released our new Ektralamp Art Lamp for great illumination of any flat art work. The lamps attach either to the back of the frame of to the wall behind the lamp. Using the same technology as in our music lights, the Art Lamps are modular in width, have adjustable light tubes, and provide even illumination across the entire picture. These are great lights for galleries, businesses, museums, homes, or anywhere you want to let people clearly see your great pictures and art works. Visit our art light site.

Will Limkemann

December 12, 2009

Piano lighting considerations

Filed under: Uncategorized — Tags: , , , — Will @ 6:33 pm

Poor lighting resulting in eye strain and missed notes when reading music is among the top ten complaints of musicians. Spinet home pianos are often tucked against a wall with no natural light and poor interior lighting. Grand piano players find themselves with shadows on the music and, often have inadequate lighting to illuminate the music.

Task lighting for scores and sheet music has its own challenges. Much music opens to a width of 18 inches or more, and often the musician spreads music across the rack – sometimes extending even beyond the width of the rack. Thus a small halogen or incandescent tube light illuminates just a “hot spot” in the top and center of the music but provides little, if any, lighting at the sides. Piano lamps should provide even lighting from top to bottom without producing glare, shining in the eyes of the pianist (or anyone else), or spilling light to where it is not needed.

An overhead light at least twenty inches long which reaches over and in front of the music is ideal lighting for a musician. A well-designed LED (light-emitting diode) lamp with multiple LEDs spread across the width of a light tube is an ideal source of illumination for musicians. LED lamps have the further benefits of being thin and thus unobtrusive, cool, use little energy, and do not need bulb replacement (LEDs typically have a useful life of over 50,000 hours of operation). LEDs are further environmentally friendly as, unlike fluorescent lights, they contain no mercury or other heavy metals.

Spinet-type and grand pianos need different type of lights. Spinet pianos have lids, or tops, on which the base of an overhead lamp can rest. Grand pianos have no convenient horizontal surface so a well-designed grand piano lamp needs to be lightweight and able to be clamped onto the top of the music rack. Such a lamp is also very portable and can also be used on music stands.

Wolcraft provide ideal lamps for both spinet pianos and grand pianos.

Will Limkemann

December 11, 2009

Piano Light

Filed under: Uncategorized — Tags: , , , — Will @ 4:12 pm

I’m delighted to tell you that we have just announced the availability of our new piano light for spinet pianos. This complements our line of organ, grand piano, and music stand lights. The new piano light is made from solid brass and solid cherry with a light tube that measures 21″ long. The light will be a great boon to anyone who practices or plays at the piano for an extended period of time. Unlike most lights the Ektralamp piano light places an even stream of light across the entire music, lighting from top to bottom, without shining in your eyes. The result is less eye strain and more relaxed playing and practicing.

Check out the piano light on the piano light web page.

Will Limkemann
Wolcraft
www.wolcraft.com

November 30, 2009

2010 American Guild of Organists (AGO) Convention

Filed under: Uncategorized — Will @ 9:39 pm

We’ve just registered to exhibit our Ektralamp musician’s lamps at the 2010 national convention of the American Guild of Organists in Washington DC in July. It should be a truly exciting convention held in our nation’s capital.

Will Limkemann

www.wolcraft.com

November 25, 2009

Why overhead music lights?

For years many pipe organs and electronic organs been supplied with music lights built into the base of the music rack. These provide great illumination of the stop tabs and keyboards but do a poor job of lighting the music. First, out of necessity, the lamps are too close to the music. This results in the bottom of the music being strongly lit with very little light at the top. When there are several layers of music, such as a hymnal on top of other service music, there can be  shadows as the light may be partially covered. Second, due to the size of available fluorescent tubes used in most of the lamps, the lights are often too narrow to adequately cover the entire width of the music rack. Third, a good bit of light from most of these lamps glares into the eyes of the organist.

A well designed and placed overhead light, such as the Ektralamp, eliminates these problems. First, the light can be high enough and forward enough to provide even lighting, top to bottom, of the music. Second, using LEDs as light sources can be made sufficiently wide to illuminate the entire width of the rack. Third, a well directed overhead light, such as the Ektralamp,  will produce minimal glare and light spillage.

Will Limkemann
President, Wolcraft

November 12, 2009

The evolution of the Ektralamp

For many years my wife, a professional church organist and minister of music, has complained about the poor music lighting that she and thousands of organists have to contend with. Like many organs, her Holtkamp console has a light built into the bottom of the music rack, but it only lights the bottom parts of the music and shadows badly if service music and hymnal are stacked on the rack. For many years she placed a large fluorescent desk lamp on top of the console when she practiced during the week – but had to remove it during services as it glared into the eyes of the choir and congregation.  It was heavy to lift onto and off the console and of course did nothing to light her music during services.

About a year ago, after one of her rants, I had a revelation on how to solve her lighting problem. As I analyzed her needs I realized the light needed to be able to illuminate the entire width of the 34″ wide music rack and light from the top of the tallest scores to the bottom; it needed to be bright enough for her to see the music; and it needed to be focused enough not to glare into her eyes or the eyes of the choir and congregation.

So I put my creative and innovative juices to work and decided that a uniquely designed light tube filled with LEDs (light emitting diodes) would fill the bill. I designed a circuit board for the LEDs, bought the electronic, wood, and metal material and sequestered myself in my workshop until I had created the first Ektralamp organ light! At the time I had no designs on doing anything but solving my wife’s lighting problem. But is worked so well we decided it should be made available to other organists.

Deciding to go commercial with the lamp, I spent the next few months perfecting the design and creating a business plan for manufacturing, marketing, and selling the lights. We sold the first one in April 2009 and it has been downhill from that time on. The lamp is evolving from just a music lamp to a complete console lighting system for pipe organs and electronic organs. We also have a model that clamps to the top of grand piano music racks as well as music stands.

We exhibited the Ektralamp line at the American Institute of Organbuilders convention in October. I was gratified and encouraged by the very positive reception from the organists, builders, and technicians at the convention. One fellow even came up to me and hugged me while thanking me for the great product! In addition to positive feedback we garnered many ideas for future improvements.

Building on our success of the past few months, we are continuing to perfect the product line and expanding our marketing and manufacturing capabilities to help many more musicians see their music more clearly.

I’m lovin it!

Will Limkemann
www.wolcraft.com

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